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REFERENCES

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  • Badger, Tony. “How Did Kennedy’s Assassination Change the World?” CNN. Cable News Network, 22 Nov. 2013. Web. 01 May 2017.

  • Beiser, Frederick C. Hegel. New York ; London: Routledge, 2005.

  • BEN VEREEN on Theater Talk. Youtube. Theatertalk, 7 July 2014. Web. 5 Mar. 2017.

  • Borinstein, A B. “Public Attitudes Toward Persons with Mental Illness.” Health Affairs 11.3 (1992): 186-96. Health Affairs. Web. 13 Mar. 2017.

  • Brecht, Bertold. “The Modern Theatre Is the Epic Theatre.” Ed. Daniel Gerould. Theatre, Theory, Theatre. New York: Applause, 2003. N. pag. Print.

  • Brooke, Iris. Medieval Theatre Costume: A Practical Guide to the Construction of Garments. London: Black, 1967.

  • Butt, John J. Daily Life in the Age of Charlemagne. Westport, Conn.: Greenwood Press, 2002.

  • CBS Sunday 1.4.15 PIPPIN on Tour Lucie Arnaz John Rubinstein-Ken Bertwell. YouTube. CBS, 4 Jan. 2015. Web. 5 Mar. 2017.

  • Collins, Roger. Charlemagne. Toronto: University of Toronto Press, 1998.

  • Dworkin, Ronald W. “Psychotherapy and the Pursuit of Happiness.” The New Atlantis 35 (2012): 69-83. The New Atlantis. Web. 5 Mar. 2017.

  • Feloj, Serena. “Mental Illness in Hegel’s Anthropology The Contradiction between Soul and Spirit.” Hegel-Jahrbuch 2014.1 (2014): 122-128.

  • Fosse, Bob, director. Pippin: His Life and Times. Youtube, 8 Apr. 2014, http://www.youtube.com/watch?v=kAp2uq_2Yp0. Accessed 5 Mar. 2017.

  • Galayda, John. “Roger O. Hirson ’43.” Issu. Friends Seminary, 01 May 2013. Web. 13 Mar. 2017.

  • Giere, Carol De. Defying Gravity: The Creative Career of Stephen Schwartz from Godspell to Wicked. New York, NY: Hal Leonard, 2008. Print.

  • Henley, Lawrence. “Pippin: Historically Speaking.” Utah Shakespeare Festival, n.d. Web. 13 Mar. 2017.

  • Jones, Tom. Making Musicals: An Informal Introduction to the World of Musical Theatre. New York: Limelight, 1998. Print.

  • Laird, Paul R.. The Musical Theater of Stephen Schwartz: From Godspell to Wicked and Beyond. Lanham, Maryland; Plymouth, United Kingdom: Rowman & Littlefield, 2014.

  • Lim, Stephanie. “At the Intersection of Deaf and Asian American Performativity in Los Angeles: Deaf West Theatre’s and East West Players’ Adaptations of Pippin.”Rediscovering L.A. (2015): 324-40. ScholarWorks. Web. 13 Mar. 2017.

  • McWaters, Debra. The Fosse Style. Gainesville: University Press of Florida, 2008.

  • Miller, Scott. From Assassins to West Side Story: The Director’s Guide to Musical Theatre. Portsmouth, NH: Heinemann, 1996.

  • Ostrow, Stuart. Present At the Creation, Leaping in the Dark, and Going against the Grain: 1776, Pippin, M. Butterfly, La Bête, and Other Broadway Adventures. New York, NY: Applause Theatre & Cinema Books, 2006.

  • Paulus, Diane, director. p i p p i n. Youtube, 8 Dec. 2016, http://www.youtube.com/watch?v=9TSkr1I-bEI. Accessed 5 Mar. 2017.

  • “Roger O. Hirson.” Music Theatre International. N.p., n.d. Web. 20 Feb. 2017.

  • Rowan, John. “Hegel and Self-actualization.” The Humanistic Psychologist 20.1 (1992): 58-74. Web. 26 Mar. 2017.

  • Sayre, Nora. Sixties Going On Seventies. Rev. ed. New Brunswick, NJ: Rutgers University Press, 1996.

  • Schwartz, Stephen, and Roger O. Hirson. Pippin. New York, NY, Music Theater International, 2000.

  • Schwartz, Stephen., and Roger O. Hirson. Pippin: A Musical Comedy. New York: Drama Book Specialists, 1975.

  • Schwartz, Stephen. “Pippin – Stephen Schwartz Answers Questions About the Show.” StephenSchwartz.com. N.p., 2010. Web. 20 Feb. 2017.

  • Schwartz, Stephen. “Some Thoughts On Pippin As He Turns 40.” A.R.T. Guide: Holidays 2012-2013 (31 Aug. 2012): 3-4. Print.

  • Shea, Brendan, and Diane Paulus. “Creating Worlds Together.” A.R.T. Guide: Holidays 2012-2013 (31 Aug. 2012): 9-12. Print.

  • Simon, Eckehard. The Theatre of Medieval Europe: New Research in Early Drama. Cambridge [England] ; New York: Cambridge University Press, 1991.

  • Steppin Out Ep.11 – Ben Vereen Interview 1-18-11. YouTube. GFQ Network, 19 Jan. 2011. Web. 5 Mar. 2017.

  • Story, Joanna. Charlemagne: Empire and Society. Manchester ; New York: Manchester University Press, 2005.

  • Sturtevant, Paul B. “Everyman Has His Daydreams: Pippin, a Shockingly Medieval Musical.” The Public Medievalist. N.p., 15 July 2014. Web. 04 Mar. 2017.

  • Terry, Esther. “Musical Storm and Mental Stress: Trauma and Instability in Contemporary American Musical Theatre.” Mental Illness in Popular Media: Essays on the Representation of Disorders. Jefferson, N.C: McFarland, 2012. 130-34. Print.

  • The Audience Experience: Diane Paulus at TEDxBroadway. YouTube. Tedx Talks, 4 Apr. 2014. Web. 5 Mar. 2017.

  • “The Middle Ages.” Western Reserve Public Media. Northeastern Educational Television of Ohio, Inc., 2008. Web. 01 May 2017.

  • “The Musical Mind of Stephen Schwartz.” Interview. Radio Boston. WBUR, 27 Nov. 2012. Web. 5 Mar. 2017.

  • The Pittsburgh Cultural Trust. “Pippin Study Guide.” Pippin Study Guide Final 060214 (2 Oct. 2014) Print.

  • Wasson, Sam. Fosse. Boston, MA: Mariner, 2014. Print.

  • Wickham, Glynne William Gladstone. The Medieval Theatre. 3rd ed. Cambridge [Cambridgeshire] ; New York: Cambridge University Press, 1987.

  • Young, Christine M. “Attention Must Be Paid,” Cried The Balladeer: The Concept Musical Defined. Thesis. University of Kentucky, 2008. N.p.: n.p., n.d. Print.

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